Archive for the ‘Saxophones’ Category

For Sale: Near Mint Yamaha YTS-61 Tenor

Tuesday, May 25th, 2010

Here is the listing:
http://www.doctorsax.biz/YTS61_4097.htm
My near mint condition Yamaha YTS-61 tenor sax from 1970
I made the move—I bought myself a 1973 Selmer Mark VI! Very exciting stuff, but that also means I have to pay for it. As a result, I’m selling both my Yamaha YTS-61 and my more recent horn, my 1961 King Super 20. For the moment, only the Yamaha 61 is up and ready for sale. I have it listed on consignment at the local Madison saxophone repair shop, Kim Slava’s “Doctor Sax” shop (and web site).

Here is a thorough review of the Yamaha YAS-61, the alto equivalent the YTS-61 tenor sax. The author, Stephen Howard, is a highly respected woodwind repairman from England.

It’s a fantastic horn for many reasons. It looks great, feels great, and most importantly, it sounds great! If you’re looking to get a pro horn with terrific intonation and finger work modeled on the Selmer Mark VI (at less than half the price!), then you will like this horn!!! Thanks for checking it out…

Saturday, May 1st = DJ Funky Sax @ Great Dane Fitchburg

Wednesday, April 7th, 2010

DJing at the Great Dane Fitchburg, March 27, 2010

I’ll be spinning at the Great Dane Fitchburg once again, this time on Saturday, May 1st from 10:00 p.m. to 2:00 a.m. I hope you’ll join me for the fun!

Why come out to the Fitchburg Dane?

  • There’s no cover. The music is FREE!
  • Good beer, drinks and food
  • Pool tables, pool tables, pool tables
  • Huge shuffleboard game
  • You can even play their Wii!

My DJ set consists of solid selections of reggae, hip-hop, funk, soul and R&B. I also have a saxophone or two set up to play along with some instrumental jams I’ve got in the mix. It’s DJing with a twist, something a little different.

Thank you for the warm reception at last month’s Great Dane set! I’m looking forward to doing it again!

DJ Funky Sax - March dates

Monday, March 8th, 2010

Hey Folks,

I’ll be DJ-ing twice this month. First, I’ll be one of two DJ’s at Scatz Nightclub (Middleton by CostCo) on Friday, March 19th from 9pm to 2am. My friend Lucien and I, along with DJ Web Spinna from Milwaukee are hosting a T.G.I.F. Party in the upstairs lounge at Scatz. I hope we’ll see you there. The cover is $5 and we will be sticking to our theme: Keeping it Cool, Hip and Sophisticated!

A week later on Saturday, March 27th, I’ll be DJ-ing at The Great Dane Fitchburg. It should be a terrific time. I’m looking forward to keeping the vibe pumped from 10pm to 2am. The beer is great and the music is FREE! Keep an eye out on my sax—I’ll be bringing it with to provide a few surprises during the evening!

And if you’re from Kalamazoo, Michigan…you’ll dig knowing that our friend, Kevin McFadden, will be in town and in attendance for the Great Dane gig.

For more information, check out www.djfunkysax.com. Cheers!

Happy Birthday, Branford!

Wednesday, August 26th, 2009

Most people of heard of Facebook and most have discovered old friends through the site. It’s also become a fun way to learn what Wynton Marsalis, the great jazz trumpet player/composer/arranger/conductor, is doing from day-to-day. Well, on this day, he posted a happy birthday announcement to his brother, Brandford, a.k.a. “Book”. Very cool.

Branford Marsalis at the Portland Jazz Festival, 2007

Here is Wynton’s Facebook post. It’s long, but worth the read. What a family they have…

Today is my big brother Branford’s birthday.
We had some helluva times growing up. He is a musician with such great ears and reflexes that playing with him was something you could take for granted…. until you played with other people.

I remember us learning tunes in the mid 70’s off of Earth, Wind and Fire, Parliament, Stevie Wonder, Tower of Power and all the recordings of funk bands with good horn sections. We were so country…. we would write the names of notes (a-b-b-d-f-f) on regular loose-leaf paper.

Our first gig was an elementary school dance in Kenner, La. We had a four piece band—-sax, tpt, guitar, and drums. The gig was supposed to be two hours and took place in the school cafeteria-gymnasium-meeting room.
We learned about 12 songs.
Well, those songs took us about 35 min. into the gig. We stopped.
People said “we came here to dance, y’all better come up with something, NOW”. The next hour was a continuous medley of all 12 songs with some of the saddest solos you ever heard in your life. We were 11 and 12 then.

4 years later we played in a funk band called the Creators.
Girls would ask us,”what do y’all create?” “Babies”.

The band was about 9 pieces and Branford and I were the youngest by 4 or 5 years. We played a talent show in the 9th ward at Nicholls High School and some kind of way had neglected to learn one of the contestant’s songs… and to add insult to injury, didn’t realize it till he walked out unto the stage.
Now these could be raucous brown affairs with the audience commenting (back and forth about what they liked and disliked) to the band. One group of singers earlier that evening had butchered Kung Fu Fighting and had the nerve to announce to the audience, “the band is fuckin’ us up all.”

We had 9 and 1 packing, so we took the mic and announced that they weren’t shit. It was funny, but we had to think about whether they would go home and come back with something, because it was their neighborhood and those karate outfits probably gave them the feeling they could whip someone’s ass. So we were on edge and the people were ready for some Crescent City type excitement to jump off.

Here comes my man whose song we definitely don’t know. The show stops while we discuss another song to do. “Hey man, this is what I know. You motherfuckers better play my song.” He has his country best clothes on and probably all his friends and girlfriend there.
It was tight.
The people start murmuring which soon leads to shouting which we know will lead to a really colorful story, if you survive to tell it. Branford had only heard the song a few times on the radio. He sat down at the electric keyboard and played the intro and changes of the tune.
He guided our bass player and drummer through it all with complete cool, and saved us from a very unpleasant physical encounter with a hyped up audience.

My man made it through his song, yellow suit in tact and we all couldn’t believe Book pulled that off. That was Branford’s nickname Book, Bookie, Book-Book Nova, Track Star Book.
He could play any instrument he touched and run the hundred in 10 seconds or faster if being chased through south boston.

Happy Birthday Book.

Wynton

Saxophone Solo Transcriptions

Friday, April 17th, 2009

I know it’s best to write these out yourself, since the process is what really internalizes the learning. That said, here’s a nice site for a number of sax solo transcriptions…

By Jeff Rzepiela
http://scooby-sax.com/transcriptions.aspx

James Carter = Technique AND Soul!

Friday, April 17th, 2009

James Carter plays “I Wonder Where Our Love Has Gone” (Jazz Festival in Japan, 1997)
If you’re curious about his horn, from his agent, “his horn is a custom-made Conn from 1926, and to date only five of them exist!

Tricks, Gimmicks and Real Musicianship

Thursday, March 12th, 2009

I confess I haven’t watched this Shawn “Thunder” Wallace lesson yet, except for the very beginning where I discovered he plays quite a bit. You can hear how crushing his chops are. I’ll be curious to hear what constitutes a “trick” or a “gimmick” and what his definition of “real musicianship” is for him.

No disrespect to him or his playing, but I’ve always felt his technical mastery has always obscurred any soulfulness. I’m not trying to start a flame war, but sometimes simple is better, fewer notes says more, how you play it matters more than what you play. I enjoy listening to him and learning from these lessons, but aren’t some of the master techniques the real gimmicks? I guess I won’t know until I learn more of them! ;-)

Shawn “Thunder” Wallace lessons on YouTube

Thursday, March 5th, 2009

If I were his student, I think I might be this guy. He’s asking the kind of questions that I ask myself sometimes. Maybe this is the answer. And a zillion more hours of sheddin’.

Shawn Wallace was at WMU for undergrad when I was getting my grad degree. He’s a master technician. He’s now a professor at Ohio State University.

http://www.youtube.com/user/ShawnThunderWallace

This is spot-on what Eric Koppa was trying to explain to me during his last visit. This particular pattern series (@~7:30 in the video) that works against the root and tri-tone and can be inverted back and forth to create cadenza-like material within many chord spaces. The power of these patterns is linked to the freedom that Prof. Wallace explains at the outset. If you know the 3rd and 7th relationships within chord changes, “you can pretty much murder anything else” if for no other reason than there are so many possible variations within and around the 3rd and 7th notes that can be explored and emphasized against the original chord voices. These patterns extend the harmonic vocabulary…

Famous quote from…

Thursday, February 26th, 2009

Al Roberson’s Facebook page, organizer and lead member of Art of the Moment.

“I learned this, at least, by my experiment, that if one advances confidently in the direction of his dreams, and endeavors to live the life which he has imagined, he will meet with a success unexpected in common hours. In proportion as he simplifies his life the laws of the universe will appear less complex, and solitude will not be solitude, nor will poverty be poverty, nor weakness weakness.”

Art of the Moment is/was…
Robert “Cujo” McKenzie (vocals), Albert Roberson (piano, flute, bass clarinet, saxophones), Bryan Husk (alto sax, piano)

All of us graduated from U of Michigan, but I lost contact with both these important figures until just recently. I’m so glad we have rediscovered each other!

I appreciate Al’s quote, in part because during the 15 years that we lost touch with each other, I have lived my life in a manner that is to some degree consistent with the quote’s message, or at least have discovered it’s message to be true as I’ve moved through time. It is a testament to the influence that that moment, these people, our band had on my life then…and still does today. I know Cujo feels the same way. Truly and genuinely, the Art of the Moment.

P.S. The quote is from Henry David Thoreau, and I admit, I had to look it up. I hope you enjoy it as much as I do!

Clyde Stubblefield Show Opening for Karl Denson

Friday, February 20th, 2009

JUST ANNOUNCED!

Karl Denson photo by Belltown from flickr
Karl Denson’s Tiny Universe is playing the Majestic Theater in Madison, WI on Saturday, March 28th. KDTU has been through Madison before and if you’ve seen them, you know how deep their grooves go. Expect to see a packed house and lots of get down dancing. Tickets are only $18.

The Majestic Theater, Madison, WI
To double (or at least increase by 25% to 40%!) the value of your Karl Denson’s Tiny Universe ticket, the Clyde Stubblefield Show will be performing a set from 9:00 p.m. to 10:00 p.m. to warm up the crowd. If this ain’t one of the best lineups for a funk show in Madison, then you’re not paying attention. We can’t wait to play for you. See ya at the gig!